
The Amelie A. Wallace Gallery at SUNY College at Old Westbury is pleased to announce the opening of a solo exhibition by Icelandic artist Guðjón Bjarnason. Comprising paintings, sculptures, videos, photographs, and an architectural model, the show represents the multi-talented Scandinavian artist's first appearance in a U.S. university gallery. Indeed, many of the works have never been previously displayed in an American venue.
The title of the show, SquARE zERo alludes to the dominant shape of the sculptural works on view and to a destructive impulse -- a seeming desire for nothingness, for degree zero -- that paradoxically results in a creative act. Most of the works begin with a square format. The major piece in this show, MurMur zERo-desert (2006), began as a collection of 40 steel squares (each 31.6 inches x 31.6 inches) that were detonated with dynamite near the artist's hometown, Reykjavik. As a result, many of the units are now disrupted and twisted, and have thus lost their status as squares, becoming instead something more chaotic and irregular. These "open" forms will be arranged systematically according to the levels of destruction on the wall and the floor.
The exhibition also includes I'MAGE Minglement (2006), a chromed sculpture of 6 exploded metal bars. Bjarnason's vocabulary of architectural steel beams resonates directly with works by Minimalist sculptors such as Richard Serra and Donald Judd. The authoritarian blankness and silence of the industrial objects, however, is shattered --offering a pointed critique of the kind of stolid virility that has led to cold and calculated war tactics, and their explosive consequences. This volatility also echoes the general dynamics of natural phenomena.
To complement the sculptural works, Bjarnason will here introduce BlUe BluE EmbryONics-SquARE (2007), a new series of 80 paintings (each 19.7 inches x 19.7 inches), whose dark abstract geometric images, showing disintegrated digital squares on square canvases, pay distant homage to Malevich's Suprematist squares.
The exhibition also showcases an architectural model of Bjarnason's own residence, Explosive House-Blacksand (house completed 2007), recalling such prime deconstructivist structures of Frank O. Gehry's house in Santa Monica and Zahra Hadid's Vitra Fire Station in Weil am Rhein. Bjarnasons aggressive, centrifugal displacement of walls and spaces, subverting the alpine A-frame motif, bespeaks today's fragmentation and compartmentalization of daily life, and the instability of post-modernity.
Born in Reykajvik, Iceland, in 1959, Bjarnason studied law at the University of Iceland and received advanced degrees in fine arts and architecture from the Rhode Island School of Design, the School of Visual Arts and Columbia University, all in the U.S. Since returning to Iceland, he has shown his work widely both at home and abroad. His more notable exhibitions include the semi-retrospective EXploding MEaning at the Reykajvik Art Museum and a solo museum exhibitions at the Snug Harbor museum in New York.
A panel discussion is scheduled at 3 p.m. on October 16th. The speakers for the public program are Lilly Wei, art critic and independent curator, and Jonathan Goodman, art critic and lecturer at Pratt Institute. The exhibition remains on view through October 26th. Gallery hours are Monday through Thursday between 1 p.m. and 5 p.m., and by appointment.
This exhibition has received generous support from the Center for Icelandic Art (CIA.IS), the "Muggur" travel grant of Reykjavik, Iceland, the Consulate General of Iceland in New York, and HP Garcia Gallery. The panel discussion is sponsored by the American-Scandinavian Foundation.
For further information regarding SquARE zERo: Guðjón Bjarnason, please contact gallery director Hyewon Yi at yih@oldwestbury.edu or 646-421-5863.
Photo by Piano Zhong